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Catalogue
Artist: Antoni Clavé
Title: "Pintures y collages. 1993-2003"
Year: December 2003-February 2004
Size: 27 x 21 x 0,3 cm.
Pages: 40
Illustrations: 23 (photography Rocco-Ricci)
Photographies de Antoni Clavé: 2 (photography Philippe Bonan)
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CLAVÉ Antoni. Pinturas y collages. 1993-2003 (Madrid).
Catalogue
Artist: Antoni Clavé
Title: "Pintures y collages. 1993-2003"
Year: December 2003-February 2004
Size: 27 x 21 x 0,3 cm.
Pages: 40
Illustrations: 23 (photography Rocco-Ricci)
Photographies de Antoni Clavé: 2 (photography Philippe Bonan)
Attention! The colour that you see at you screen may vary from the original catalogue
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Height | 27 cm. |
Width | 21 cm. |
Depth | 0,3 cm. |
CATALOGUE'S DETAILS
The catalogue includes illustrations of exhibited works at the Madrid's venue from the Galeria Joan Gaspar: works created by artist between 1993-2003. It begins with a brief introduction in Spanish and English by Joan Gaspar i Farreras, the gallery's director and close Antoni Clavé's friend during more than 50 years.
ANTONI CLAVÉ i SANMARTÍ (Barcelona 1913 – Saint Tropez 2005).
Antoni Clavé is one of the most important artists in the Catalan Contemporary Art. He developed his artistic activity in almost every field: painting, engraving, lithography, collage, sculpture and photography. He studied in Barcelona and started his career as a designer for articles and cinematographic posters.
He participated in the Spanish Civil War with republican army and in 1939 he moved to France where he started to produce lithographs. This activity kept him in touch with publishing world. He illustrated many books, between them “Carmen” from Merimée (1946), "The Queen of Spades" from Pushkin (1946). In 1942 he met Picasso and decided to focus his work towards still life and urban landscape tending to the abstraction. At this moment he was an international artist. In 1954 Clavé decided to dedicate himself only to paint and started to include in his work strange iconography of medieval figures, bearded kings and dolls. The evolution to abstraction was unstoppable: the content was losing importance and the texture and visual aspects of atmosphere and background started to be essential.
In 1956 Clavé began to use the collage as a painting technique and the composition scheme incorporating themes typical of informalism. This year he presented his work in Barcelona, from that moment his exhibitions were regular. Besides painting he worked with sculpture, tapestry and set design for theatre, ballet and opera: “Carmen”, “The House of Bernarda Alba”, “The Marriage of Figaro”…
Some prizes: Venice Biennale (1958), Sao Paulo Biennale (1957), Tokyo Engraving Biennale (1958). In 1978Georges Pompidou Centre in Paris organized Clavé’s individual exhibition. In 1984 his work was a central theme of a Spanish pavilion in Venice Biennale.
Antoni Clavé was a very close friend of the Gaspar family, and during the second part of XX century exhibited many times in Sala Gaspar as well as they collaborated in many Clavé’s exhibition around the world. Joan Gaspar junior, a dear friend from Clavé for more than 50 years, has presented several exhibitions in Galeria Joan Gaspar.
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