Antoni Clavé. A don Pablo. View larger

CLAVÉ Antoni. A don Pablo. 1985.

Cartel histórico_Clavé


Historical poster

Artist: Antoni Clavé

Title: “A Don Pablo”

Year: 1985

Size: 90 x 62,5 cm.

Printing method: offset

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Tiny foxing spots may be present.

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24,79 €

Data sheet

Height90 cm
Width62,5 cm

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In 1985 a very special exhibition took place at Sala Gaspar: homage to Pablo Picasso by his friend Antoni Clavé.

The catalogue of this exhibition gives us a description of one of the first meetings between two great artists of XX century. “Clavé came in to the Picasso’s house, on the Grands Augustins street, Juny 6th of 1944 <…> I saw him with Catalan friends before but that day they became friends; during three hours non-stop Pablo was showing to his young compatriot his newly-made canvases and in the moment to bid farewell, he said: “Show me what you do; for a long time I have not seen anything…”. For sure, he never saw Clavé’s works, that was so busy deserving his life after forming part of Spanish republican army and passing the concentration camp. He couldn’t think about paint and exhibit, but he will do it some mounts later, and Picasso will take his time to go”.

Pierre Cabanne. Exhibition catalogue “A Don Pablo. Hommage a Picasso. Pintura – Collages. 1981-1985”. Sala Gaspar, 1985 


ANTONI CLAVÉ i SANMARTÍ (Barcelona 1913- St. Tropez 2005). 

Antoni Clavé is one of the most important artists in the Catalan Contemporary Art. He developed his artistic activity in almost every field: painting, engraving, lithography, collage, sculpture and photography. He studied in Barcelona and started his career as a designer for articles and cinematographic posters.

He participated in the Spanish Civil War with republican army and in 1939 he moved to France where he started to produce lithographs. This activity kept him in touch with publishing world. He illustrated many books, between them “Carmen” from Merimée (1946), "The Queen of Spades" from Pushkin (1946). In 1942 he met Picasso and decided to focus his work towards still life and urban landscape tending to the abstraction. At this moment he was an international artist. In 1954 Clavé decided to dedicate himself only to paint and started to include in his work strange iconography of medieval figures, bearded kings and dolls. The evolution to abstraction was unstoppable: the content was losing importance and the texture and visual aspects of atmosphere and background started to be essential.

In 1956 Clavé began to use the collage as a painting technique and the composition scheme incorporating themes typical of informalism. This year he presented his work in Barcelona, from that moment his exhibitions were regular. Besides painting he worked with sculpture, tapestry and set design for theatre, ballet and opera: “Carmen”, “The House of Bernarda Alba”, “The Marriage of Figaro".

Some prizes: Venice Biennale (1958), Sao Paulo Biennale (1957), Tokyo Engraving Biennale (1958). In 1978 Georges Pompidou Centre in Paris organized Clavé’s individual exhibition. In 1984 his work was a central theme of a Spanish pavilion in Venice Biennale.

Antoni Clavé was a very close friend of the Gaspar family, and during the second part of XX century exhibited many times in Sala Gaspar as well as they collaborated in many Clavé’s exhibition around the world. Joan Gaspar junior, a dear friend from Clavé for more than 50 years, has presented several exhibitions in Galeria Joan Gaspar

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